Daniel Suárez Dedicates Coca-Cola 600 Victory To Late Kyle Busch

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At the Coca-Cola 600 on Sunday, May 24, Daniel Suárez dedicated his victory to the late Kyle Busch. Here, he can be seen pointing to his hat, emblazoned with the No. 8 in honor of Kyle. (Photo credit: Prime Video)

The Coca-Cola 600 was held at Charlotte Motor Speedway in Concord, North Carolina, on Sunday, May 24.

Palpable throughout the evening was the absence of one of NASCAR‘s greats: the late Kyle Busch.

At the age of 41, Kyle died on May 21, leaving behind his wife, Samantha; and their two children, Brexton (age 11) and Lennix (age 4).

His death, just three days before the race, led to his life and legacy being foregrounded at the race, with NASCAR fans, drivers, and management taking a moment to honor the late two-time champion.

Even the winner of the race, Daniel Suárez, honored the late Kyle Busch with his victory.

RELATED: Coca-Cola 600 Tribute Welcomes Kyle Busch’s Widow And Children Into “NASCAR Family Forever”

What Daniel Suárez Said Of His Victory In Light Of Kyle Busch’s Passing

By the end of the race, it was raining heavily.

Earlier in the evening, last year’s winner, Ross Chastain, crashed as Ricky Stenhouse Jr. advanced.

Watch that crash, here:

However, with 27 laps to go, Daniel Suárez was declared the winner.

“It really means a lot,” Suárez said immediately after the race.

Donning a hat with the No. 8, in honor of Kyle Busch, he pointed to the number and then pointed to Heaven above.

Asked what winning meant in light of Kyle’s death on May 21, Suárez said, “It’s been a tough week … Kyle, he was special, man. We won it for Kyle, for Samantha, for Brexton, for Lennix. For all his family.”

He added, “Every win is special, but this one has a special flavor because of Kyle. This one is for Kyle.”

Watch his dedication to Kyle Busch, here:

Watch Suárez’ victory, including him pointing to Heaven, here:

See more of his celebration, here:

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Grant Bromley

Howdy, I’m Grant, a multimedia storyteller and lover of the arts. Whether it’s Copland’s ballet Rodeo or Peckinpah’s iconic Western Pat Garrett and Billy the Kid, I have an appreciation for works that engage with the American mythos. Covering news, I help tell the stories that define our shared tomorrow.

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